Thursday, February 27, 2014

The Lego Movie


And here I was thinking Pixar was the only company with their animated shit together. The Lego Movie is such a blast I couldn't get enough of it. The visuals are an absolute dream here. All of the colors and tiny details (even their showers are impressive) look immaculate and I would be shocked if this didn't receive a Best Animated Feature nomination next year. The music played is ridiculously catchy, all of the characterization is terribly clever (I especially enjoyed The Green Lantern isolation bit) and there's a nice little twist at the end I enjoyed as well. And to add to its' saving graces, Morgan Freeman kills it as Vitruvius, the mentor of the group. Everything is awesome.

3/4

The Master


What an absolute mindfuck. A movie like The Master rarely comes along. I was reading a short article that mentions, "The movies that are the most entertaining are the ones with ideas that you entertain" or something along those lines and that made me think of this movie. Weeks later I still can't stop thinking about it.

The Master is such an absorbing spectacle it's really impossible to get it out of your head. The performances from the talented trio are pitch perfect. Joaquin Phoenix's character is Freddy, a veteran suffering from PTSD, alcoholism and a strange addiction to drinking poisonous alcohol, and having agressive sexual thoughts towards any female with a pulse.

He's out of control. That is, until he comes across a cult-like group who believes in The Cause. The enticing leader is Lancaster Dodd (Philip Seymour Hoffman), a man who becomes a father figure to Freddy and is willing to guide him amongst the others to relieve his traumatic life experiences in order to push past them towards a better future. Lancaster's wife Peggy (Amy Adams) is less welcoming then her husband, as she knows the unstability and recklessness of this stranger that they have just welcomed in.

Joaquin Phoenix is a force of nature as Freddy. He's such a primitive character with all of his grunts and violent behaviors, but despite this characterization, he feels oddly sympathetic as well, like a lost animal that just doesn't know any better.

Philip Seymour Hoffman brings many layers and a ton of depth to his character who may or may not be full of Shit. Which doesn't really matter. You're so drawn to how convincing and fascinating Hoffman's performance is that you would sign up for whatever he sold you.

Though she definitely isn't as used as much as I would have liked her to have been, Amy Adams nails every single one of her scenes. She gives such a power and strength to Peggy you would swear she is The Master. Her scenes with Hoffman most notably one of her early scenes after a doubter of The Cause verbally challenges the group and a later scene regarding Freddy are easily some of the most unforgettable of the movie.

Another thing I loved about The Master was that there are no easy answers. I thought about the final scenes and drew about 5 different conclusions as to what The Master really resolves to and though there's scenes that make me believe each could be true, you never really know the true Black & White answer.

With it's powerful punch of stellar performances, intriguing and multi-layered characters and a plot that will leave you thinking and really evaluating the meaning behind Anderson's masterful direction, The Master is a masterpiece, pun intended.

4/4

Her


What a beautiful piece of cinematic art, I knew 5 minutes into Her that I would love it. Everything about this movie feels like magic. Joaquin Phoenix is stellar as Theodore and couldn't be any more sympathetic or charming in his lonely ways. Scarlett Johanson is fantastic as Samantha, the voice of the operating system that Theodore falls in love with, she has such a charisma, charm, and relatibility a majority of the movie I almost forgot that she wasn't actually on screen. Amy Adams gives a much stronger performance and has a much more engaging character then her Hustle gig as Amy, Theodore's only in the flesh female friend that has more in common with her buddy then imagined. Everything about the movie makes you feel like you're in a dream from the fantastic cinematography to the perfect screenplay, Her is a moviegoer's long lost love that came back.

4/4

The Wolf of Wall Street


This movie is such an in your face, kick to the crotch type of show I was worried it would come off as obnoxious, instead, it's a total blast. There's so much energy from the direction to the screenplay to the performances you would swear every employee was injected with Heroin and Red Bull before shooting. I was more then enticed for the three hour length and Leonardo DiCaprio shines in the outrageous physical comedy and the outrageous physical and mental distruction. This Wolf packs a huge bite.

4/4

Monday, February 24, 2014

The Spectacular Now


It could have been such awful teen-bopper bullshit but The Spectacular Now feels so special it should be studied for everyone trying to make a romance about two teenagers from opposite sides falling in love. It has drama without being overdramatic, it has comedy without the crudeness. Miles Teller and Shailene Woodley couldn't have more chemistry even if they were married in real life. No caricatures or bullshit here. The popular guy isn't empty-headed, the girl whose different isn't a complete lost cause, even the popular girl isn't vapid (Brie Larson whose also stellar in her scenes). Very impressive indeed.

3/4

Lone Survivor


If there is a movie whose marketing I wanna kick more then Lone Survivor's then it's simply a crime against humanity. Though Lone Survivor gets the job done, the trailer, poster, and advertisements displaying Mark Wahlberg as the "Lone Survivor" really kill a lot of the suspense as to who will make it to the end. It also makes the scenes of Wahlberg fighting alone feel weightless and stuffed. But luckily, Lone Survivor has its' heart and soul from beginning to end. And though you know exactly what will happen to his fallen comrades on the mission (Ben Foster, Emile Hirsch, and Taylor Kitsch), it doesn't make what you're watching break your heart any less.

3/4

Blue Jasmine


If there's a way to be a fantastic hot mess, it's Cate Blanchett in Blue Jasmine, a firecracker of a movie that never stops sizzling with humor and wit.

Cate Blanchett is Jasmine, a woman whose life has fallen to pieces since she lost her money, her status, and her husband (Alec Baldwin) and he also committed suicide to add insult to injury. Her mental status is reduced to talking to herself amongst strangers. She needs help. This help comes in the form of Ginger (Sally Hawkins), her middle class sister that Jasmine used to look down on. To say that their lifestyles clash would be an understatement.

Cate Blanchett couldn't have given a better performance as far as I'm concerned. The level of committment here is insane. Jasmine has about 10,000 different personalities and moods and Blanchett nails every single one of them. This is the performance of a well deserved soon-to-be Oscar winner. Sally Hawkins also holds her own as Jasmine's sympathetic and eager to help punching bag.

The writing in Blue Jasmine is top notch. Witty, insightful, quote-worthy and hillarious, Blue Jasmine had me laughing from scene to scene. Never did insanity look like such a blast.

4/4