Monday, January 26, 2015

As Above, So Below


This one was another surprise for me, I was expecting a complete Shit-show from the previews/other reviews but I was pretty pleasantly surprised overall. The beginning is flimsy and solid characterization crashes and burns as quickly as the characters' plan to achieve success and fortune but what happens inside the catacombs is pretty intriguing. It looks absolutely stunning and I was at times reminded of The Descent (never a bad thing to be compared to) with how well certain scenes were filmed to make the viewer feel completely claustrophobic, isolated, and unknowing of what lurks around the corner. The ending could have packed a bit more punch as it feels rather hokey and last minute, but luckily the middle is watchable enough for me to walk away somewhat pleased.

3/4

The Babadook


Well, color me surprised. By the previews I was expecting a generic horror movie about a single, helpless mother and her screaming son fighting off a demon but it comes off as something completely different. Instead of focusing on generic, on the surface terror, The Babadook goes deeper into more of a mental terror known as depression. It's about a mother and son dealing with an unexpected, violent death of the father and it's quite fascinating. There's very little bloodshed here but there's so much tension at the surface. The mother, played by Essie Davis is dealing with loneliness, resentment towards her son and others around that don't understand her situation. In a way she's de-humanifying herself to resemble a non-entity such as The Babadook, which is easily the creepiest fucking children's book known to man. This movie really rests on Essie Davis' shoulders and she carries it off amazingly. Performances like this are the reason why more horror movies should host awards similiar to the Oscars. This would never get nominated there, but it deserves to be acknowledged somewhere. She's stellar and the screenplay follows her path, guiding the viewer down a less is more route of terror, making The Babadook feel even more bone chilling.

3/4

Inherent Vice


What a trippy, odd, unforgettable blast. Inherent Vice will take you to a world of such a serious world of crime, poverty, druggies, and coked-out dentists that's it's such a blast when you realize the whole thing is played for comedy.

The players are more then willing to work the joke. What's most fascinating is how when you first meet or hear about each of the characters, the actor plays the role to such a versatility no one ends up as expected. Joaquin Phoenix's character Doc at first sounds like such a dead-end, hopeless guy, but there's such an underplayed charisma to Phoenix's performance you end up entranced by the charmer.

Doc's trip into mayhem is all for his ex-girlfriend Shasta, he's helping finding her current boyfriend whose disappeared, while her boyfriend's wife, and her boyfriend were planning on committing him to the nut house for money. Shasta is such a fascinating character as well. At first when we see her, she seems to be the average damsel in distress, but there's such a mystery and allure that Katherine Waterston brings to the character, you see why Doc would risk his life for this beauty. You wish she was on screen more, and it's a shame that her best, most revealing, most personal scene is one that will never be shown on commericals.

Doc's main ally in this quest is Bigfoot, played by Josh Brolin who almost walks away with the movie. He's such an enigma of a a character they could have made a spin-off of this movie based off his characteristics alone. Brolin is stellar and it's a travesty that he wasn't nominated for an Oscar.

One of the biggest complaints I've read about this movie is that there's too much going on, there's a scene late in the movie where Doc sits there just trying to piece together how everyone and everything is related, and it's easy for the viewer to feel like they're in a similar boat. By this point I realized you're not supposed to really have a "point A to point B" type of mindset and just go along for the ride. If you want to look at this as a straight-forward crime/drama about a man discovering the truth, go ahead. If you want to look at this as a man's vivid and wildly inventive hallucination used to get over an ex-girlfriend, go ahead. If you want to look at this as a love story about a man who will do anything to retrieve his unattainable, unrestriced ex, then go ahead. Inherent Vice makes a solid case for all of the above, proving that sometimes in life the end isn't so much as important as the journey you take to get there.

4/4

Saturday, January 10, 2015